Yugoslavian cinema took the spotlight this weekend at the iconic Museum of Modern Art (MoMA) in New York City. Headlining the event was the screening of “Slike iz života udarnika (Life of a Shock Force Worker),” a 1972 masterpiece directed by Bahrudin Bato Čengić. The film, part of the esteemed “To Save and Project” series, a festival revered for its dedication to film preservation, mesmerized audiences with its poignant narrative and daring cinematography. “Life of a Shock Force Worker” holds a storied past, having once faced the chilling grip of censorship, leading to a decade-long ban on it…