The tape begins to roll. Grainy, sepia-toned footage jumps from one vignette to another. The footage all captures the same subject matter: the quotidian suffering of life in Gaza. A woman and her children look directly into the camera as they cry out for their demolished home. A man flicks through photographs of rubble and destroyed buildings — immortalising the remnants of bulldozed neighbourhoods. In an earlier scene, a dejected voiceover reels off the events of just the past three days: twenty men killed, children fired upon, a curfew imposed, irrigation pipes destroyed, and bombs thrown. “…