The 60th edition of the Venice Biennale is a bright, bold and boundary-breaking spectacle. The international exhibition is renowned for distilling many of the major geopolitical issues of the moment, and this year is no exception. Curator Adriano Pedrosa’s title “Foreigners Everywhere” is conveniently malleable, bringing under its wing topics like nationalism, displacement, marginalisation and colonialism. Some pavilions and exhibitions explicitly confront these contemporary issues. The Dutch Pavilion did more than just reflect on the colonial art theft debate; it enacted change by persuading …